hollywood

Hollywood LUT Color Grading Pack 26441281 Videohive

Hollywood LUT Color Grading Pack 26441281 Videohive

Files Included Premiere Pro Project Files | No Plugin | Resizable | 105 MB
This pack is for all Hollywood movie lovers. With these professional LUTs, you can make your videos look like top-notch movies that we all love and appreciate. The color presets pack is very simple to use and with just a few clicks you can see the amazing results on your videos. You can use these color presets on all kind of cameras and software that supports LUTs and cube files. These 75 color presets are made professionally side by side to the movies and the stunning final result will blow your mind. So go on and color grade your movies with these amazing color presets that will level up any kind of videos, footage, music videos, Indie movies, YouTube videos and many more…

Some of Color Presets In This Pack
12 Years a Slave
1917
Ad Astra
Aladdin
Ant-Man
Aquaman
Avengers Endgame
Baby Driver
Bad Boys for Life
Beauty and the Beast
Black Panther
Captain Marvel
Mad Max Fury Road
Sicario
Justice League
Little Women
Fight Club
Dunkirk
The Dark Knight
X-men Dark Phoenix
Zombieland
Star Wars
And Much Much More…

Hollywood Camera Work The Master Course v1-6

 

 

Hollywood Camera Work The Master Course v1-6
English | Size: 1.42 GB
Category: Tutorial

The primary goal of The Master Course in High-End Blocking and Staging is to do the most effective blocking with the highest production-value, and to build a vast repertoire of techniques to make Directing more expressive ? and ultimately more fun.

The course also deals with the problem that blocking often grabs so much of our attention that we’re forced to choose between doing camera work or nurturing great performances. If we choose acting, the camera work suffers. If we choose camera work, the actors are often left to direct themselves. One of the key goals of the course is to have great camera work become so automatic that we can do both at the same time.

When shooting, we also too often abandon many great shots we had planned. When we’re under pressure, we revert to tried and tested techniques like two reverses and a master. Even if we know plenty of techniques, we often only use the ones we know extremely well, so another key goal of the course is to know techniques so well that we actually use them.

The higher purpose of the course is to do as meaningful and expressive camera work as possible. While the course spends a lot of time getting good at technical things like complex line-issues, the deeper goal is to have a profound understanding of the how and why of everything. Ultimately, the goal is to have as clear and precise an emotional impact as possible. All the hot moves we can create (and we do create a lot) are really means to that end.

 

 

 

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