Category: 3D Models & Addons

Grunge Textures Bundle: 304 High-Res Textures

Grunge Textures Bundle: 304 High-Res Textures

Grunge Textures Bundle: 304 High-Res Textures
JPEG | Textures | 3.47 GB

A good collection of textures can be a real goldmine in times of need. You can use them in pretty much every design – from creating web backgrounds or texture overlays, to prints, illustrations, digital drawing, and much more. Your imagination is the only limit.

Even though there are a lot of textures available on the market, many of them are useless or too pricy. Wanting to change that, Inky came up with this incredible bundle of premium grunge textures – actually some of the best on the market!

With this bundle, you get a huge variety of textures such as: aged paper, stained paper, paint, grunge, cement, metal and more.

Each texture is at least 4000 x 2500 px at 240 DPI, but half of them is at 300 DPI, meaning you can use them in prints, with high-quality results. They’re already pre-edited, meaning you will save a lot of time and effort; all you have to do is paste them in a new layer and you’re ready to go!

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Lynda Rendering for Composites inside 3ds Max

Lynda Rendering for Composites inside 3ds Max

Lynda Rendering for Composites inside 3ds Max
Video: AVC (.mp4) 1280×720 15fps | Audio: AAC 48KHz 2ch | 5.5 GB
Genre: Video training

Learn how to use the extensive range of tools in 3ds Max to render out elements for compositing. In this course, Joel Bradley shows how to break a project down into manageable pieces with 3ds Max’s Render Elements feature and manage the render passes with the State Set tools. He explores this pipeline via three mini projects that take a shot from breakdown to final composite. First, he sets up and renders the elements in 3ds Max. Second, he “pre-composites” and outputs the files using the Compositor Link panel. Finally, Joel jumps into After Effects, where he adds post-production effects such as per-object color corrections, reflections and refractions, atmospheric haze, and motion blur.

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